Question
As this website shows, Werewolf by Night is most likely set in 2025. Because of this, why is the whole film (except the ending) black and white, and what significance does this technique have?
Answer
Werewolf by Night is a homage to classic horror films from the 1940s and 1950s (back when most films were in black-and-white). According to Michael Giacchino, Werewolf by Night director, "from the very beginning, [Werewolf by Night] needed to be in black-and-white."
Another reason was to allow more blood and gore in the TV special and still have a content rating (TV-14, rather than TV-MA) consistent with other MCU films and TV shows.
Men's Health: The special is packed with references to classic horror movies and monster movies. What are some of your favorites that maybe people have missed so far?
Giacchino:: The whole film is basically a love letter to all of them, and a lot of my favorites were, I mean, King Kong, I loved The Wolf Man, Werewolf of London, An American Werewolf in London, all of these things are so ingrained in my heart, from years of watching them…The Creature From the Black Lagoon— all of the Universal stuff. But then all of the stuff like Ultraman. I loved Ultraman growing up as a TV Show, and I also loved Godzilla. There’s a little bit of that in Man-Thing, you know, that sort of giant creature thing. It’s sort of a mash-up of everything.
- Michael Giacchino Grew Up Loving Classic Horror. With Werewolf by Night, He Made a Horror Classic. Men's Health (emphasis mine)
“Monster movies to me are nothing but allegories for people with problems,” Giacchino muses. “Every time I would watch ‘King Kong’ or ‘The Wolf Man,’ and everyone would be chasing them with torches, trying to kill them, I would always feel so badly for them. I’m like, ‘Guys, he doesn’t want to be doing this! He doesn’t want to be rampaging! He’s got an issue and he needs help.'”
So “Werewolf by Night” isn’t just a scare fest. An homage to 1940s horror films (like those ’70s comic books), it invites sympathy for its characters and even has a sense of humor. Giacchino especially admired 1982’s “Poltergeist” as “a film that wonderfully walked the line of heart, humor and horror. It’s not easy; you need a lot of checks and balances,” he says. “If a story keeps its sights on heart, humor and humanity, then you are free to do some crazier stuff on the fringes of that story.”
The 53-minute one-shot special is also in black-and-white. “In my mind, from the very beginning, it needed to be in black-and-white,” he says. There was skepticism from the upper echelons of Marvel, he hints, so it was filmed in color but “we had a special monitor that allowed me to see what it was going to look like” in case the monochrome plan was finally approved.
- Werewolf by Night’ Director Michael Giacchino Explains How He Convinced Kevin Feige to Let Horror Special Be in Black and White. Variety (emphasis mine)
Collider: You got away with a lot more blood and guts than I expected. I was very surprised. Do you think that happened because you were shooting it in black and white?
Giacchino:: I think that helped us. It certainly didn't hurt us. I think that doing something like this, we were able to push a little further into that direction than we might have if he had done it any other way. I think people will still be surprised when they see it. The people who are just turning it on and seeing, but hey, that's part of the fun of it. I felt like as long as it didn't become sadistic ... that was our thing. Because I'm very squeamish generally. I don't like slasher movies for that reason. So, I didn't want it to ever get into that realm where it's just indiscriminate killing. Everything needed to have a reason and a why and a how and all of that. So, I do think that being in black and white helped us with a lot of that, keeping it in that realm.
- Michael Giacchino Talks Directing ‘Werewolf By Night’ and How Shooting in Black and White Allowed For More Blood & Guts. Collider (emphasis mine) (Video of interview)
Answered By - galacticninja
